I'm a drummer, recording artist, producer and music-industry creative available for selected live work, recording, media appearances, panels and projects where musicianship, experience and adaptability matter.
This page is intentionally simple: what I'm available for, why I may fit, and the fastest way to start a conversation. For biography, history and current context, use About. For interviews, panels, coverage and proof, use Media.
My work has moved between performing, touring, recording, production, media, technology and the business side of independent music. That makes me most useful in situations where someone needs more than a person who can simply execute one narrow task.
I care about preparation, communication, musical judgment and being someone who makes the room easier rather than harder.
Four broad lanes. If your idea sits between them, send it anyway.
Drumming and performance work where preparation, consistency, stage presence and the realities of touring all matter.
Drums, production-minded performance and collaboration for artists who want musical decisions rather than anonymous note delivery.
Long-form or focused conversations around music, touring, songwriting, career longevity, creative value, production and independent work.
Practical discussion around songwriting, positioning, negotiation, longevity and what actually sustains a creative career.
Credits matter, but I care more about what those years taught me to contribute when I'm actually in the room.
I take the job seriously before anyone walks onstage, hits record or turns on a camera.
Touring, studio work, technology, media and production have trained me to solve problems outside a single job description.
Decades on both the creative and business sides of music make communication and context part of the work.
For media and speaking, the material comes from lived experience rather than generic creator advice.
This is deliberately not the whole biography. The About and Media pages carry that detail.
Joined Raymond Watts' PIG on drums for an extensive 2026 North American run.
Current work with En Esch follows earlier years as the original drummer of KMFDM offshoot Slick Idiot.
Experience in long-form interviews and panels covering songwriting, music, career strategy and the machinery around creative work.
Tell me what you're producing or booking, what you need from me, where and when it happens, and the offer or budget if applicable.